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Ayshay – Warn-U

Album review

Tri Angle are not a label sitting around on their arse, their stream of releases this year isn’t just impressive because of their regularity, but also because of their quality. Balam Acab we covered a couple of weeks ago here, but this week they’ve released this four track oddity upon the world: Ashay’s Warn-U EP.

The first three tracks act as traditional pieces, varying between 3 to 5 minute, dark, soundtrack like pieces of experimentation. If they were sound tracking the Blair Witch project on acid, that is.

The didgeridoo sounding vocal effect gets a little grating sometimes, while the free form nature of the tracks may also sound dragging at times, it’s the forth, 12 minute, ‘megamix’ track where the talents of Ashay really come to life. Incorporating more tribal percussive elements and richer samples and effects, the more structured, beat driven arrangement has more than one tint of Aphex Twin about it, replacing the glitches for Aboriginal vocal samples.

Another interesting release from the label that keeps on giving, delivering an album that any open minded electronica fan should definitely invest in.

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Man Without Country - King Complex EP

Man Without Country - King Complex EP
Sometimes you just need something BIG in your your life. And there's not much as epic as Man Without Country around at the moment. Their big, bombastic drum and synth combinations make for Jean Michelle Jarre having a jam with Muse kind of vibe. A lot of the tracks here need to be remixed to make them totally dance floor ready, but as it is the trance keys combined with the big chorus melodies make for perfect indie disco fodder. 'Inflammable Heart' is the best of the two instrumental tracks, with its bass synth grinding along with an anger in its heart, as the overlaying synths just get thicker, bigger, until bursting point where the track fizzles away with an impressive and much needed go-slow moment. The EP opener, 'King Complex' is by the pick of the bunch though, with its tribal percussion and its perfectly structured pop hooks creating a perfect atmosphere. Whether MWC have enough individuality about them to make their name stand out inbetween the Delphic's of this world is a different question. This EP shows a band who can write big songs, whether they can vary that approach well enough is still left to be seen.
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