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Isaac Delusion

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A French band who don’t specialise in electro aren’t likely to get much exposure overseas these days, with the nation’s other musical styles still being unjustly tainted by the stigma of artists like Johnny Hallyday (which is in itself unfair: “Mon Fils” is a tune, right?). Perhaps that’s why Loic Fleury chose to bring in the beats when he put his folk-rock band Lucky Lindy to one side and started Isaac Delusion with his old schoolfriend Jules Paco (“the good looking and popular guy” at school apprently, while Fleury was “the tall weirdo one”). Not that the band are some Justice rehash or anything. In fact, you would probably file them next to crossover British bands like Fujiya & Miyagi and Hot Chip, defined by well-constructed tunes, warm sounds and unthreatening electronic percussion.

Isaac Delusion released their first EP, “Midnight Sun”, earlier this year, with the title track’s chopped-up samples and lush synth riffs providing the perfect laid back summer soundtrack. The critical acclaim was something Paco certainly never expected back when he used to laugh at Fleury’s attempts to compose chanson, and he’s admitted “we made fun of Loic’s crappy romantic songs; it was hard to believe he would become so talented”.

That talent is now being prolifically harvested, with another EP due imminently. Lead track “Early Morning” is typically, wistfully chilled out, all tweeting electronics and deftly plucked acoustic guitars. It may not quite be electro, but that shouldn’t stop it gaining a wider audience beyond Paris…

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Pinkunoizu

Pinkunoizu
End Of The Road is a great festival. In fact, it's been one of our favourites ever since a proto-Monitors DJ team played at their amazing light-up disco in the middle of the woods two years ago. Yet as wonderful as the event is, it's easy to become slightly fatigued after witnessing your 73rd bearded alt-country icon wailing yet another dusty paean to whisky and railroads, or your 74th twee wee lassie gently strumming a harp and warbling about...well, who knows, as by this point you've probably already fallen asleep under a passing peacock. Fortunately, there are always a few bands you've never heard of that take you somewhere else entirely, and this year Pinkunoizu were the prime travel agents to another dimension. Though their name apparently means 'pink noise' in Japanese, the band hail from Copenhagen and are partly based in Berlin. With elements of Boris, Efterklang and Can in their music, this makes perfect sense. Releasing their debut album, "Free Time!", to quiet acclaim this year on Full Time Hobby, the band are now, judging by the warm reception they received last weekend, beginning to ramp up their profile in the UK. "Free Time!" is a sprawling but gentle beast - typically their songs start with a fairly simple refrain that is then allowed to grow at its own pace for as long as neccessary. As the band themselves admit, "sometimes we tend to play some long jammy passages that might be more fun to play, than to listen to". It's false modesty; if anything, the longer tracks are the ones prove more captivating, carefully reeling you in rather than bombastically knocking you out. Live, however, they do pack more of a punch. While "Free Time!" only alters the dynamics where it is absolutely neccessary, almost wary of jolting the listener out of its spell, on stage they're not scared to suddenly crank things up, adding a cheek-rippling stoner element to their spaced-out folk voyages. The band cite bewildering French philosopher Gilles Deleuze as a key influence - a man who once said, "If you're trapped in the dream of the Other, you're fucked". Frankly, Pinkunoizu's dreams are ones worth getting trapped in.

Death Is Not A Lover from Pinkunoizu on Vimeo.

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