Keeping track of new music, media and industry news.

Ninja Tune stalwarts Fink continue their incremental progression on 'Resurgam', a record that tweaks their stadium-sized melodies and oceanic soundscapes...

On his eleventh (eleventh!) album, Ariel Pink pays tribute to the troubled figure of Bobby Jameson with a mix of '80s synthwave and '60s psych-folk...

The return of LCD Soundsystem has rekindled an intoxicating fire in the heart of Eamon Murtagh - and inspired his latest 'haiku review'...

Nadine Shah's 'Holiday Destination' is one of the year's defining albums, articulating our present-day catastrophes bang on...

Oh Sees agnostic Jake Smith had his head turned by recent single ‘Animated Violence’, but would the rest of the band’s 19th LP manage to fully convert him?

The subject matter of Dark Days + Canapés may make it seem like Ghostpoet has created the most depressing album ever, but its texture is like a warm embrace...

What happens when electronic noise wonk purveyors Sly & The Family Drone meet the experimental avant-jazz of Dead Neanderthals?

Karen Gwyer's latest long-player on Don't Be Afraid is a droll call and response between raw, cheeky dancefloor dynamism and cosmic sci-fi synth-play...

On 'Radius Walk', the new album by Schneider Kacirek with Sofia Jernberg, the boundaries between human and machine become freakishly blurred...

With their razor sharp new release, The Guillotine, Hey Colossus have cemented their position as one of the most uncategorisable and impressive bands around.